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Handel
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV61A3N57 - To Power Immortal
edward.maurath
1:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
Strings Treble 23 70 8 6 100%
Violoncello Bass 14 0 2 5 100%
Violone Bass 12 0 2 5 100%
GOBRIAS Bass 14 0 4 6 93%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
Handel Sarabande Siebente Suite in g moll - HWV 432
pental
3:22 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
 
HWV19A1N0 - Hò perduto il caro sposo
edward.maurath
6:39 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
Cembalo Continuo Treble 17 38 7 6 94%
Bass 22 11 5 6 99%
Violoncello Continuo Bass 19 0 5 6 99%
Violini
1		 Treble 19 0 5 7 85%
Contebass Continuo Bass 17 0 5 6 83%
Viola 16 0 5 6 83%
Violini
2		 Treble 15 0 3 7 83%
Soprano
as Rodelinda		 Treble 17 0 7 8 68%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%
 
HWV19A1N0 - Hò perduto il caro sposo
edward.maurath
3:45 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
Cembalo Continuo Treble 17 38 7 6 95%
Bass 22 11 5 6 99%
Violoncello Continuo Bass 19 0 5 6 99%
Violini
1		 Treble 19 0 5 7 85%
Contebass Continuo Bass 17 0 5 6 84%
Viola 16 0 5 6 84%
Violini
2		 Treble 15 0 3 7 84%
Soprano
as Rodelinda		 Treble 17 0 7 8 72%
 
HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major
edward.maurath
2:40 Est. Play
Time
134 Measures
1,102Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
Double
Bass Continuo		 Bass 16 0 2 4 94%
Violin
1		 Treble 20 0 2 5 94%
Violincello Continuo Bass 17 0 2 4 94%
Viola 17 0 2 5 93%
Violin
2		 Treble 18 0 3 5 93%
Bassoon Continuo Bass 17 0 2 4 89%
Bass
as Clodomiro		 Bass 16 0 3 5 65%
Oboe Treble 12 0 0 5 29%
 
For Unto Us a Child Is Born (Adapted for Children)
clcworship
3:47 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 48 0 8 100%
Bass 19 21 0 6 100%
Voice Treble 10 0 0 6 64%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 48 0 8 100%
Bass 19 21 0 6 100%
Voice Treble 10 0 0 6 64%
 
I Know That My Redeemer Lives
clcworship
3:25 Est. Play
Time
96 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 18 2 8 100%
Bass 17 10 1 7 91%
Voice Treble 11 0 1 7 56%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 18 2 8 100%
Bass 17 10 1 7 91%
Voice Treble 11 0 1 7 56%
 
"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
8:36 Est. Play
Time
100 Measures
2,042Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
Harp Continuo Treble 21 46 4 6 100%
Bass 20 54 4 6 99%
Violoncello Continuo Bass 19 0 4 5 99%
Violini Treble 19 16 3 5 76%
Contrabassi Continuo Bass 16 0 2 3 75%
Violoncelli Continuo Bass 16 0 2 3 75%
Cleopatra Treble 16 0 2 5 72%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)
edward.maurath
1:59 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
Continuo Bass 19 0 3 4 100%
Consalvo Bass 16 0 4 4 76%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%